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“These old woods”:
The Mystical, Pagan Landscape of Twin
Peaks
The setting of Twin Peaks, a small town surrounded by
evergreen forest, mountains and waterfalls, is a natural landscape described by
many of the characters as both peaceful and invigorating. Dale Cooper is
instantly charmed by it and decides to buy a house there. But its beauty is
more mysterious than bucolic. The woods are associated with mystery,
transformation and, at times, evil. The local law enforcement have been part of
a secret society for years that also meets in the woods: the Bookhouse Boys
work to keep the peace, but their meetings are clandestine and they embrace the
mysterious qualities of the landscape to gain insights for their cause. Sheriff
Truman says the woods contain “a darkness, a presence.” There are
extra-dimensional locations that play a prominent part in the narrative: most
notably, the Red Room, the White Lodge, and the Black Lodge. The Black Lodge is
described by Deputy Hawk as being part of the Native American mythology of his
ancestors. The entrance to these locations is a kind of portal located within a
grove of sycamore trees in Ghostwood National Forest, known as Glastonbury
Grove (a reference to the dual realms of Avalon, the legendary home of King
Arthur). The grove’s portal may only be entered, it is said, “when Jupiter and
Saturn meet.” As well, Margaret the Log Lady brings Cooper a jar of a sticky
black substance from a pool at the entrance to the grove, said to be a portal
to the Black Lodge. Many of the denizens of Twin Peaks seem unaware of the
mysterious nature of their surroundings, but certain characters function as
adepts who help unlock the meaning behind the mysterious events that surround
the murder of Laura Palmer. This essay will explore the ways in which the pagan
and occult qualities of the landscape directly affect the actions and beliefs of the town’s inhabitants
and visitors, making it a key element in the narrative trajectory of the
series.
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